Why sassoon font

Alternative k belongs in a different group than the looped. Letters up to A4 size can be printed to mae a rieze or the wall. All this can easily be done on a computer enabling parents and teachers to develop their own proessional-looing handwriting material to suit their chosen policy, either alphabetically or in stroe related amilies as above. A large type size, such as point, can be used or inger tracing exercises.

Starting points or letters can be indicated in colour and arrows added to show the direction o stroes. The letterorms can be reproduced larger and in outline or tracing exercises. Where there is only one large dot, the ingers or pen dont leave the page until the letter is inished Worksheet material Those who teach children to start reading and writing have dierent preerences or letters, so alternative letters are included in each o the onts. At teachers request we have created dotted, solid and outline onts to provide a selection o ways to produce letters or tracing exercises.

Use Sassoon Inant Dotted at 60 point. A spot o colour can be used to indicate the starting points o the dotted letters. Using coloured pens or pencils to trac is un and also produces a very satisying result. Sassoon onts are made or use by teachers. However, i children themselve sare using the onts and alternatives are awward to access, onts can be custom re-made with letters placed in ey positions o your choice to suit your particular handwriting policy.

Now that print script has been phased out and joining earlier has been encouraged, the Sassoon typeaces have become particularly useul. Their exit stroes at the base already help to clump the letters o a word together without actually joining them. In this way, not only is a lin orged between reading and writing, the emphasis on exit stroes rom the beginning should lead to spontaneous baseline joins and a smooth progression towards an eicient and mature joinedup handwriting.

Joining up is the practice of going from where one letter finishes to the start of the next. With Sassoon, the exit strokes build in adequate letterspacing and train the hand in readiness for joining. Rosemary Sassoon does not prescribe a particular size o letters, as childrens needs dier. There are dierent views about the use o tram lines.

Some lie to provide one, some two, some three and some our guidelines, so we have not included them in our onts. You may draw in lines where necessary to suit your situation. In this project, we have tried to adhere to the principles o teaching handwriting that Rosemary.

Sassoon Joiner A mature joined-up hand is the result o correct instruction rom an early age. The Sassoon Joiner application typeaces are a direct progression rom the separate letters o Sassoon Primary and consist o several onts which were specially created or use with the application and are not available, or useul, separately. Their purpose are as instructional typeaces or teaching how to join. The application oers the user a text input window, with spell checing and user deined dictionaries.

Preerences can be set or the method o joining certain critical letterorms; or example cross-bar joining t, baseline joining t or mixed joins throughout the text. The join command results in joined text, but to create pen lits in the middle o words, letters may be let unjoined where necessary. Text may be copied or saved as a ile or import into other more ully eatured applications, to change size, colour, line space and paragraph ormatting. It is available or Mac OS or Windows, the application is simple to use and the interace is identical on both platorms.

Emphasis with any Sassoon typeace Italic typeaces are designed to provide emphasis when used with any o the other Sassoon typeaces. However, they must be used sparingly or relevant words or short passages. The italic typeface was designed to be used with any of the Infant or Primary fonts to provide a emphasis for juvenile typefaces.

Sassoon Primary Inant with Sassoon Italic. At small type sizes, do not be too subtle. Using a bold weight has more emphasis and may be preferable to anything less obvious such as underlining or italic. The italic was designed to be used with any of the Infant or Primary fonts to provide emphasis for juvenile typefaces. Medium typeaces wor particularly well when reversed out o a solid colour. With the Sans typeaces, adults can also use Book Italic for emphasis when reading.

Sassoon Sans with Sassoon Boo Italic. This Italic typeface was designed to be used with the Book typeface as a more contrasting emphasis is desirable. Sassoon Boo with Sassoon Boo Italic. There are many actors that aect legibility. The ashion today in typography is or large x height with short ascenders and descenders. The word spacing is generally tight.

He was right out of the water and away from the waves and he lay still. He rolled on to his back and lay very still.

He lay there for a long time. He blew and puffed and lay there on the sand. As he lay there, the wind blew more softly and the clouds began to blow away.

The example above shows a comortable reading size o 18 point type. Keeping the same type size to line space ratio at dierent type sizes promotes easy legibility. She is the author of these texts: The Practical Guide to Calligraphy. London: Thames and Hudson, Handwriting: A New Perspective. Cheltenham, England: Stanley Thornes Ltd.

Handwriting: The Way to Teach It. Cheltenham, England: Stanley Thornes, Ltd. The contents of this page are the Copyright of Morrells Handwriting Any evidence and research from 3rd parties is always quoted and accredited to the author. You are welcome to quote any content from our website, if it is quoted and accredited to Morrells Handwriting. Accessing alternatives is easier given the standard software available in education sector.

This is standard industry practice and the fonts have been made to conform. Publishers and Designers have more sophisticated page layout software that can handle separate fonts more easily. Whichever version is chosen, the same alternatives letters are available. I have looked for quite some time for a free suitable replacement for the Sassoon fonts, but without much luck.